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“The consulate told us to keep waiting,” Rosario’s mother, Cecilia, says. Once her son is identified, she and her husband drive to meet with the hearse that is returning his remains. The hearse driver also transported Rosario’s cousin’s body weeks earlier. He observes that in his work, “Every day, your feelings are sadness and pain, something you keep inside you like a bomb.” Seeing the coffin, Cecilia walks and weeps. As the camera closes on her face, her hands over her eyes and her body wracked, the frame feels invasive. The boys in the documentary are risking their lives on the journey to America so they can alleviate their parent’s poverty levels and reduce their misery.
Eventually Juan Carlos is picked up by immigration officials and he's deported back to Guatemala, where his mother is glad he's back but also has no regrets about sending Francisco to the United States, despite the perils of the journey. First, this film does not get into the pro- and anti-illegal immigrant debate. It simply chronicles the journey of several children riding the "Beast," a Mexican train that runs north of the border with Guatemala. Many people looking to enter the US illegally will board the train to make the treacherous and often deadly trip. The children are from 9 to 17 years old and are either looking to reunite with family in the US, or seeking a better life away from extreme poverty in their home countries. It's difficult to imagine that anyone can watch this and not feel heartbroken - these are children, some of whom have been abandoned and have no idea the danger they face in their quest for a new life.
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However, there is an indirect connection of their plight to how the governments in those regions are managed or how they operate. Factors contributing to the remaining character’s urge to travel in the United States is tied to high rates of domestic violence in Central America. Though it is not clear in the documentary, Jairo, a 14-year-old boy was probably running away from his father, who had after killing his mother gone ahead to disown him. On the other hand, Yuri had run away from his mother and got entangled in drug abuse.
Juan’s main purpose for illegally migrating to America is taking care of his family. The documentary reveals Juan’s consciousness to take care of his mother and siblings after his father left them. An evaluation of the reason why Juan embarks on taking this risky journey showcases that social factors contribute to instances of illegal migration in the United States.
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A captivating story of children trying to immigrate into the United States and the struggles they face. Certainly our immigration system needs updating but we HAVE to secure our borders FIRST. 'Which Way Home' reminds me of the well-crafted made-for-television documentaries one sees often on Public Broadcasting. But the subject matter is so compelling and touching, that you will find yourself immersed in a world you would never have dreamed existed.
Therefore, those parents also went to the United States to make their lives better, and that is why their children are following them. These are the reasons why the improvement of economic and social protection services plays an integral role in ensuring that their respective governments cover both adults and children. Government policies that have strategic and clearly defined measures can ensure that no citizen suffers as the government will be able to shield them from any uncertainties. Many countries across the world have definite rules and regulations defining that in case of family separation; the father bears a responsibility of taking care of individual’s children. Under the defined situations, it can be argued that imperfect political institution in Central America contributes to instances of illegal children immigration. This documentary follows several children trying to get to America from Central American or southern Mexico, entirely on their own.
Which Way Home: A Real-Life Slumdog on the Mexican Railroad
It also bring to the forefront the situation we currently face with illegal immigration in America. “Which Way Home” showcases the dangers that the children immigrants go through as they seek better lives and security for their future as their countries forsake them and their parents. Subsequently, it shows the dangers of the travels because they try to get into America illegally through the Mexican border, and it has the protection of the border patrol.
The Little Mermaid is the beloved story of Ariel, a beautiful and spirited young mermaid with a thirst for adventure. The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. While mermaids are forbidden to interact with humans, Ariel must follow her heart. She makes a deal with the evil sea witch, Ursula, which gives her a chance to experience life on land, but ultimately places her life – and her father’s crown – in jeopardy. The Little Mermaid, directed by Rob Marshall, opens in theaters nationwide on May 26, 2023.
Katie Beckett’s Which Way Home is a tender work about the father-daughter relationship, and a look at the ageing process. Young and old are placed in contrast with one another, for an appreciation of the way we mature, and for the value that elders embody in our communities. At its best, the play contains profound observations about family that are rarely articulated in our art, but a tendency to mollify the harder questions about kinship, results in a reduction of poignancy with what is being delivered. Most of the problems that make children immigrants run away from their home countries can be easily solved by their governments. Most of the children immigrant’s reasons for seeking a chance to be in the United States is directly connected to their family members.
It can thus be argued that children, as well as adults from Central America, are willing to settle in America without legal documentation to secure well-paying jobs. Instances of illegal children migration from Central America to the United States of America has attracted the attention of the current United States government administration. In response to mitigating rising cases of illegal immigrants, the United States government, under the leadership of President Trump, have defined strict illegal immigrant’s rules. Irrespective of the stern measures put across to deter instances of unlawful immigrants, citizens from Central America and Mexico are willing to take the necessary risks to settle in the United States of America. This documentary is not political, and does not address anything about how to handle the problem with immigration. It is merely a compelling collection of stories of children traveling alone.
One of the son's bodies is so decomposed that the parents must wait for positive identification through DNA evidence. There's a great scene where the hearse driver brings the boy's body back to his parents and he's all broken up over so many of these cases he sees, almost everyday. One thing I was surprised about was the number of social service groups throughout Mexico and Central America who are devoted to helping the child migrants.
These are naturally sad stories, but I have to say they're hardly surprising. In fact, the most surprising thing is that the homes they're fleeing really don't seem THAT bad. But I suppose the siren call of the mythical American Dream is too much for some to resist. Director Rebecca Cammisa wisely stays away from politicizing the situation, and the film is done without narration and only brief informational titles. However, this means there is also a lack of any proposed remedies to the problem.
Underneath all of Tony Stark’s tech is a kid who just kinda wants to do kid stuff sometimes. Directed by Rachael Maza, the show feels warm and buoyant, and whether or not we are able to identify with its characters, an effortless charm from both actors keeps us engaged in their journey. Beckett takes on the role of Tash, proving herself a detailed performer adept at telling stories with remarkable clarity. Kamahi Djordon King is an affable presence, with an inviting sense of humour that wins us over. A more naturalistic approach to acting would provide a more authentic experience, but the pair brings a beautiful energy to the piece that many will find reassuring.
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